Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Friday, May 30, 2014

Remembering Maya Angelou: Works for Young People

We were saddened to learn of the recent death of literary powerhouse and cultural icon Maya Angelou. Most of her work is best read by older teenagers and adults, but luckily a number of pieces will allow young people to benefit from her wisdom and insight, too.

For example, Angelou’s poem “Life Doesn’t Frighten Me” is available as a picture book with fun, zany illustrations by Jean-Michel Basiquiat. Young children will enjoy Angelou’s beautiful words and gain inspiration for coping with everyday fears such as imagined monsters in the dark or new, frightening experiences.

Slightly older kids may enjoy Poetry for Young People: Maya Angelou, an anthology of her more accessible poetry at its whimsical, soulful best. Angelou was a champion of painting stirring imagery with her words; accordingly, each poem in the book is accompanied by an illustration. Artistic kids might enjoy doing their own drawings based on some of the more vivid lines from her poems, even ones not included in the book like “On the Pulse of the Morning.”

Those with wanderlust will love My Painted House, My Friendly Chicken, and Me, a magical volume that will transport readers to the stomping grounds of the Ndebele tribe in southern Africa. Readers will be entranced by the richly colored photographs and introductions to the people and their traditions.

After reading her work, kids may be interested in Angelou’s life story. For those between the ages of 8 to 12, Maya Angelou: Journey of the Heart, is a good biography by Jane Pettit based on Angelou’s own memoirs.

Maya Angelou receiving the Presidential Medal of Freedom, 2011
Maya Angelou lived a rich, vibrant life. Though her loss stings, we are lucky that we, and future generations, can continue to enjoy and learn from the evocative writing she left behind.

Friday, April 4, 2014

Poetry Month Revisited

April is National Poetry Month and last year at this time we ran a series of blogs on all kinds of poetic forms, from the acrostic to the villanelle. You can find the full series of poetry blogs, all written by Yellin Center Learning Specialist and top-notch blogger Beth Guadagni, by searching "poetry" in our blog labels on the right hand side of this page.

However, we did want to at least mention this month long event and share suggestions for ways you, your students, and your family can celebrate this wonderful form of literature.

The website of the Academy of American Poets has suggestions for poetic activities for every day of the month. And for those who don't know offhand just how many days that includes, try reciting the poem, "Thirty days hath September...", which had its origins in the 16th century or earlier.

If  you are a budding poet with social media leanings, you can participate in a Twitter poetry contest sponsored by National Public Radio. Have fun!

Do you know the poem about this flower?
photo credit: Martin Ramsden 
 


Wednesday, May 22, 2013

Turn Back to Poetry with Poetry 180

We have one last blog to share from our April celebration of Poetry Month.

During his tenure as the Poet Laureate of the United States (2001-2003), Billy Collins dedicated much time and energy to his conviction that poetry should be a part of people’s daily lives. With this in mind, he developed and publicized a project called Poetry 180. His plan: that students hear a poem on each of the 180 days of the school year to derive both enrichment and pleasure from relevant, contemporary poets. In a statement introducing his project, Collins writes, “By just spending a few minutes reading a poem each day, new worlds can be revealed.”

The poems Collins selected, which include work from poets like Philip Levine, Naomi Shihab Nye, Sharon Olds, Paul Zimmer, Lucille Clifton, and Collins himself, can be purchased as a collection (Poetry 180: A Turning Back to Poetry), but the collection is also available for free on the Library of Congress’s website. While many of the poems would be appropriate for a wide range of ages, Collins selected the poems with high school students in mind. They are meant to be read to students, and the website includes a helpful link containing tips on reading poetry aloud. Collins was so pleased with the success and impact of Poetry 180 that he assembled a second collection, called 180 More: Extraordinary Poems for Everyday, which is also available in bookstores.


Whether or not they encounter it in school, Poetry 180 is a fantastic collection for young people. The language is both frank and beautiful and the themes are varied and germane. Students who groan at the prospect of having to dissect yet another ancient sonnet will find Poetry 180 to be a breath of fresh air. Do not miss this collection, whether you read one poem a day or devour the whole thing in just a few sittings.

Monday, April 29, 2013

Poetry Comes to Life with Poetry Alive!

We've come to the end of our celebration of National Poetry Month and hope you have enjoyed our focus on all aspects of poetry. Today, we look at an organization that "returns to the bardic tradition of long ago..."

There’s nothing quite like seeing a talented performer breathe life into a wonderful piece of literature. Poetry Alive!, a poetry performance group, gives schools the opportunity to bring that experience to their students. The organization, which was founded nearly thirty years ago, sends two-person teams of performers around the country and the world to perform poems for children and teenagers. There are specific programs tailored to students in elementary, middle, and high school, which include poems to suit the different cognitive skills and tastes of each age group. Poetry Alive! makes kids think, but it also makes them laugh, gasp, chime in, and move around. Audience participation is a hallmark of the program, and students often have the opportunity to call out parts of the poems or take the stage to act out poems alongside the performers. The energy and passion Poetry Alive! lends to the genre is electric, and students leave performances nearly crackling with enthusiasm.

Schools must book Poetry Alive! to give students a chance to see the performances; information can be found on various links from their home page. Visitors can also access videos of poem performances and learn more general information about the organization.

Even students who have never gotten to see Poetry Alive! in person can submit their original poetry for consideration in the regular Poem of the Month contest. And Poetry Alive!’s Poetry Research Page  contains a wealth of kid-friendly information on poets and poems. Also worth a visit is the Poetry For Fun page, which will direct youngsters to fun destinations on the web where they can write magnetic poetry online, access poet Kenn Nesbitt’s lessons on writing funny poems, and more.

Wednesday, April 24, 2013

National Poetry Month: The Diamante

For people who are intimidated by writing poetry, the diamante poem can be a great format to try first. The diamante is a relatively new form – it was invented in 1969 by poet Iris McClellan Tiedt – that follows a very precise formula. It’s easy to follow, but a working knowledge of parts of speech is required.

Steven Depolo/Flickr

A diamante is seven lines long and shaped like a diamond. In fact, “diamante” means “diamond” in Italian! Each line is made up of words from a particular part of speech:

Noun
Adjective, Adjective,
Verb, Verb, Verb,
Noun, Noun, Noun, Noun
Verb, Verb, Verb,
Adjective, Adjective,
Noun

And that’s it! When writing a diamante, though, there’s one more choice to make. Some diamantes are called synonym diamantes; this means that the first noun and the second noun are different words for the same thing. For example, here’s a synonym diamante we wrote about brothers and sisters:

Siblings
Obnoxious, Helpful
Sharing, Arguing, Laughing
Brother, Sister, Enemy, Companion
Teasing, Tickling, Tattling
Irritating, Loveable
Friends

Siblings are sort of like friends (at least sometimes…), so that’s why this is considered a synonym diamante. On the other hand, some diamantes start and end with words that have different meanings or associations. As you can probably guess, these are known as antonym diamantes. Here’s an example:

Lake
Refreshing, Calm
Sparkling, Flashing, Lapping
Lily pads, Ripples, Seashells, Waves
Roaring, Crashing, Rolling
Salty, Endless
Ocean

Diamantes are great for kids. Let them pick their own topics, or challenge them to tie their poems into something they’re learning by assigning them to start and finish with words like “Tom” and “Huck,” “element” and “compound,” “cell” and “virus,” “democracy” and “monarchy,” etc. This is a wonderful poetic form – a true gem! 

Monday, April 22, 2013

National Poetry Month: The Acrostic

Acrostic poems are great fun for children. Most people are familiar with an incarnation of the acrostic poem in which a name or word is written vertically and then a series of descriptive words or phrases is written based on each letter. Many young children use their name for this type of poem, for example:

D – aring
A – thletic
V – ery good at the guitar
I – nto movies
D – og lover

But the complete definition of the acrostic form reveals much more versatility and potential for fun. The first syllable or word of each line can also be used to spell out a message. Acrostics appear throughout history. Many psalms in the Hebrew Bible are acrostics, and Austrian poet Rudolf von Ems (1200-1254) began each of his great works with an acrostic of his own name. Even the Dutch national anthem is an acrostic! The first letter of each word in the first fifteen lines of the song spell out “Willem Van Nassov,” a Dutch military leader who later became Prince of Orange. Edgar Allan Poe took a step away from his usual macabre verse to write the romantic “An Acrostic”:

Elizabeth it is in vain you say
Love not” — thou sayest it in so sweet a way:
In vain those words from thee or L. E. L.
Zantippe’s talents had enforced so well:
Ah! if that language from thy heart arise,
Breathe it less gently forth — and veil thine eyes.
Endymion, recollect, when Luna tried
To cure his love — was cured of all beside —
His folly — pride — and passion — for he died.

Acrostics do not have to be artistic; they can be great memory aids as well. Many students learn the order of the four compass points by memorizing the phrase:

Nobody
Eats
Soggy
Waffles


Kids usually enjoy writing acrostics starting with their own names. After that, challenge them to write an acrostic using another member of the family’s name. Or, perhaps, an acrostic could be used to convey a secret message!


Clean, fresh, and full of promise,
Your favorite season is in full swing: Spring! With
Room for new growth and golden dreams,
Now that winter’s chill is a mere memory.





Photo credits: "Keep Calm" via yorkblog.com; room by Rubbermaid Products/Flickr.

Friday, April 19, 2013

National Poetry Month: The Clerihew

The Yellin Center Blog continues our celebration of National Poetry Month with a profile of the poetic form called the clerihew.

The history of the clerihew is almost as much fun as the poems themselves. When he was sixteen years old, Edmund Clerihew Bentley was sitting in science class at St. Paul’s School in London when a funny poem about English chemist Humphry Davy popped into his head. He wrote it down and shared it with classmates, and the form was such a hit that he and his friends wrote more and more of the four-line poems – enough to fill a notebook! Bentley went on to publish three books filled with his own poems, which came to be known as clerihews.

The clerihew follows several simple guidelines:

  • it is traditionally about a person
  • it is four lines long 
  • the first line must end with the name of the person the poem is about 
  • the first and second lines rhyme with each other, and the third and fourth lines rhyme with each other
  • it is funny! 

Here is an example of one of Bentley’s early clerihews:

The people of Spain think Cervantes
Equal to half-a-dozen Dantes;
An opinion resented most bitterly
By the people of Italy.

Of course, the great thing about being an artist is that sometimes you get to break the rules. Here’s another example by Bentley, which is not about a person but meets the other requirements:

The art of Biography
Is different from Geography.
Geography is about maps,
But Biography is about chaps.

Clerihews can be great fun to write with children. Try assigning a group of kids the same person and letting them compare their work, or let them choose whomever they want. Wouldn’t it be fun to leave the person’s name out of the poem and play a guessing game? The sky’s the limit with this light, enjoyable poetic form! To get your poetic juices flowing, here’s one we wrote in celebration of spring:

Will Punxsutawney Phil 
See his shadow stretch over the hill? 
He’s a pretty famous rodent dude 
Who heralds spring with attitude. 

Wednesday, April 10, 2013

Creative Ways to Celebrate National Poetry Month

There are lots of fun, out-of-the-box ways to celebrate National Poetry Month. Below are a few of our favorites.

Put a Poem in Your Pocket – Or on Your Feed

Poets.org suggests participating in Poem in Your Pocket Day on April 18; visit their page for more details and to access links to poems you can carry with you throughout the day. But rather than simply sharing your pocket poem with co-workers, family, and friends as the site suggests, why not put a modern twist on this fun idea? Many websites, including Poets.org., The Poetry Foundation, Poem Hunter, Old Poetry (oldpoetry.com) and more will allow you to share poems with the click of an icon. Post your favorite poems to Facebook or share them via Twitter or email.


Take a Poet to Lunch

Of course, if you know any poets, buying them lunch would be a great way to celebrate poetry month. But for those of us without connections, a fun alternative is to tuck a poem into someone’s lunchbox for them to find when they sit down to eat that afternoon. Or pack yourself a favorite poem, or a whole book of them, to nourish your body and your soul come lunchtime. For a child, why not use Magnetic Poetry as an inspiration and include a bag of poetic words next to the bag of apple slices? Your child and his/her friends can create their own poems while they eat!


Enjoy Poetry-Inspired Media


The Outsiders was inspired, in part, by Robert Frost’s Nothing Gold Can Stay. What would Dead Poets Society be without “O Captain, my Captain”? Plenty of books and movies center around poetry, and there are also a number of wonderful movies about the lives of famous poets. Poets.org hosts a long list of great films to enjoy. Or, challenge your family to think of as many books as they can which are focused on poetry. One of our recent favorites is Matched by Ally Condie, which centers around themes in Dylan Thomas’s Do Not Go Gentle.


Read Poetry – as a Novel

There are many wonderful novels available for young people that are written in verse. These can be great options for unsteady readers because verse looks much less intimidating than dense paragraphs on a page. Try titles like Love that Dog by Sharon Creech (also, look for Hate that Cat), What My Mother Doesn’t Know by Sonya Somes, Out of the Dust and Aleutian Sparrow by Karen Hesse, The Surrender Tree by Margarita Engle, Crashboomlove by Juan Felipe Herrera, and The First Part Last by Angela Johnson.


Trade Your Bedtime Story for a Poetry Reading

Instead of reading a traditional picture book to your children as you tuck them in, opt for fun, child-friendly poems like those of Jack Prelutzky or Shel Silverstein, or reach for classics like A Child’s Garden of Verses by Robert Louis Stevenson, When We Were Very Young by A.A. Milne, or Appley Dapply’s Nursery Rhymes by Beatrix Potter. Rhyming books like Llama, Llama Red Pajama by Anna Dewdney and just about any of Dr. Seuss’s offerings are also good choices.


Photo: CC by Jemimus

Monday, April 8, 2013

National Poetry Month: The Villanelle

The villanelle is a lovely, rhythmic form that takes quite a bit of skill to work with. Still, it might be a fun challenge for poetically-inclined individual students or groups of students who can put their heads together.

A villanelle consists of nineteen lines broken up into five tercets (three-line stanza) and a final quatrain (four-line stanza). Villanelles also rhyme according to a specific pattern: the first and third lines of each tercet rhyme, and in the quatrain the first, third, and fourth lines rhyme.  The trait that makes villanelles so delightful to read and so difficult to write is the pattern of repeated lines. A villanelle has refrain lines, meaning that certain lines repeat in specific places. 

Confused? All of these rules become much clearer in context, so look at the example below, from E.A. Robinson's The House on the Hill* for clarification. Pay particular attention to the repetition of the refrain lines, and the rhyme scheme:


Intriguing, isn't it? Some of the English language’s most beloved poems are villanelles, like Sylvia Plath’s Mad Girl’s Love Song, Elizabeth Bishop’s One Art, and Dylan Thomas’s masterpiece Do Not Go Gentle Into That Good Night. What better way to celebrate poetry month than taking a crack at this challenging, beautiful form yourself!


*This poem was included in a collection published in 1896 but was first written in an earlier form in an 1894 letter. Among Robinson's other works was Richard Corey (1897), which became the basis for a song by Simon and Garfunkel in 1966.

Wednesday, April 3, 2013

National Poetry Month: The Haiku

The Yellin Center is celebrating National Poetry Month this April with a month of special articles about poetry in all of its many forms. 

Haiku, an ancient form of poetry from Japan, embodies the phrase “short but sweet.” The rules, as far as English language haiku goes, are simple: the poems consist of only three lines containing five, seven, and five syllable respectively. These simple poems are generally devoted to celebrating the simple beauty found in the natural world.


Two of the most revered haiku poets in Japan’s history are Basho (1644-1694) and Issa (1763-1827). Basho’s haiku contain simple observations, though he was not without a sense of humor, as you can see in the second example below! Issa was incredibly prolific, writing over 20,000 haiku during his life. Don’t be fooled by the deceptively simple content of haiku – the good ones contain profound insights. Note that haiku translated from Japanese to English don’t always seem to follow the rules, as it is difficult to preserve both the meaning and the syllable count.

Basho

A peasant’s child 

husking rice, pauses 

to look at the moon 



Now then, let’s go out 

To enjoy the snow…Until 

I slip and fall! 



Issa

New Year’s Day— 

A one-penny kite, too 

In Edo’s* sky 



Dancing butterflies— 

My journey is forgotten 

For a while. 



Haiku is a wonderful form to try with children, as it is short and unintimidating. Walk to a park or riverbank as the Japanese masters used to do, or show your child pictures of natural scenes. Read classic haiku together and watch as his or her inner poet emerges. Be sure to have a thesaurus on hand for access to synonyms with the right number of syllables!



In poetry month 

Use haiku to celebrate 

Your inner poet!



*Edo is the ancient name for the Japanese capital city of Tokyo.


Monday, April 1, 2013

April is National Poetry Month

It's April 1st and -- no fooling -- we are going to spend an entire month of blogs celebrating poetry! National Poetry Month was established in 1996 by The Academy of American Poets. The Academy was founded in 1934 with the dual missions of "supporting American poets at all stages of their careers and fostering the appreciation of contemporary poetry."

In addition to sponsoring National Poetry Month, the Academy operates a website which features lesson plans for educators and an audio archive of poetry readings and lectures, as well as publishing American Poet, a biennial journal.

Of course, we reserve the right to interrupt our month of poetry blogs with other items of current interest, but we hope that our focus on poetry will prove an interesting sojourn for both our readers and our writers and add a bit of variety to our roll of more than 540 posts to date.


Today we want to mention a terrific supporter of poetry, Caroline Kennedy, whose love of poetry came from her mother, Jacqueline. Caroline has compiled several poetry collections, including The Best Loved Poems of Jacqueline Kennedy Onassis and the just-published Poems to Learn by Heart, aimed at younger readers. There is a terrific interview of Kennedy by Associated Press reporter Jocelyn Noveck appearing in a number of places, including NPR.




And so, with apologies to the real poets out there,

For all this month we will focus on poems
On types of poetry and on poetry tomes
And as you read the posts we write
We hope you share in our delight
In this wonderful world of words and rhyme 
Where rhythm and language create worlds sublime 

Friday, March 22, 2013

Recommended Reads: Matched

We are once again bringing you our occasional Friday feature Recommended Reads, where we share some of the wonderful books for children and young adults. This week's book is Matched, by Ally Condie, originally published by Dutton Publishers in 2010.


Matched, by Ally Condie

Ages: 7th grade and up – will most likely appeal more to girls than to boys

Sequels: Crossed, Reached

Movie Adaptation: Disney bought the rights to the Matched trilogy in 2010; however, no release date has been publicized.

Plot
On her seventeenth birthday, Cassia Reyes goes with her parents to City Hall to find out whom she will marry. She’s excited and nervous about this event that every adult in the Society, Cassia’s world, has gone through it before her. Instead of being matched to a boy in a far-off city as she expected, however, Cassia is surprised and thrilled to learn that she’s been matched to her best friend Xander. It seems that, as always, the Society has made the right choice for her. After this seemingly harmonious beginning, Matched quickly morphs into a dystopian novel. When she loads the disc she has been given to learn more information about Xander, she sees Ky’s face flash before her instead before it is replaced by Xander’s. In a world in which there are no errors, how could this have happened? Was Ky, the shy, mysterious boy she barely knows, really intended to be her match? This is the first small crack in the foundation of Cassia’s trust of the Society, which controls its citizens’ meals, reading materials, leisure activities, romantic lives, communication, and even deaths. A forbidden poem smuggled to her by her grandfather, increased scrutiny of the routines she used to take for granted, and her growing relationship with Ky all lead Cassia to slowly learn about the darker side of the Society. Everyone around her is healthy and prosperous, but Cassia learns that this comes at a cost she’s not sure she’s willing to pay anymore.

Our Take
Be warned: Do not give this book to a teenage girl in your life during finals week; she won’t be able to put it down once it gets going. Like other dystopian novels before it—the incomparable The Giver, Brave New World, etc.—Matched presents a world that’s both attractive and horrifying, causing readers to reflect on the true nature of happiness and the importance of freedom. Matched is a very internal book, focusing intently on Cassia’s thoughts so that her transformation from a blindly accepting member of the herd to a brave dissident is striking. We particularly enjoyed the detail with which Condie developed the Society, and she proves to have a keen eye for developing suspense as well. As literature lovers, one our favorite aspects of the book was the frequent and apt allusion to Dylan Thomas’s Do Not Go Gentle Into That Good Night. The novel served as a wonderful vehicle for exploring both the meaning of Dylan’s poem and of the power of poetry in general. The only thing readers are unlikely to enjoy about Matched is its cliffhanger ending, but rest assured that it’s the first in a trilogy and resolution is only as far as the nearest library.